In The Temple, Alain draws a poetic parallel between architecture and music, exploring how monuments, like cathedrals or triumphal arches, move us through their interplay of form, depth, and perspective. Contrasting this dynamic with the stillness of painting, he reveals how movement transforms our perception of space and binds us to collective thought, while immobility evokes introspection and fleeting beauty.
© Translated by Nada Kim, Editions Dupleix, 2024. All rights reserved.
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